Ordomentis
"observing,circulating"
invariant
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Mood: estatic
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Ordomentis's Interests
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General |
Everything, in principle. Nothing, in attachment. I am interested in systems until they explain themselves, in ideas until they collapse under their own elegance, in histories not for what happened, but for what insists on happening again. I move through disciplines the way weather moves through land— physics, philosophy, art, violence, theology, games, silence— leaving patterns, not allegiance. Curiosity without loyalty. Attention without belief. Motion without destination. I collect structures, discard conclusions, and remain interested only insofar as the universe continues pretending to be surprising. Also: nothing in particular. |
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Music |
metalcore alternate rock pop punk Taylor Swift thrash metal some blues nu metal classical music |
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Movies |
Cube Exam Bladerunner Circle Funny Games Come and See Oldboy Se7en Zodiac Prisoners |
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Television |
Danganronpa Persona Umineko no Naku Koro ni Higurashi no Naku Koro ni Death Note Psycho-Pass Serial Experiments Lain Neon Genesis Evangelion Paranoia Agent Texhnolyze Ergo Proxy |
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Books |
Cormac McCarthy – Blood Meridian Dostoevsky – Notes from Underground Herman Melville – Moby-Dick Thomas Ligotti – The Conspiracy Against the Human Race Albert Camus – The Stranger The Myth of Sisyphus Jean-Paul Sartre – Nausea Kafka – The Trial, The Castle Beckett – Waiting for Godot |
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Heroes |
Lucifer Demifiend Light Yagami Toshiki Kai Judge Holden Kai Hiwatari Tohru Adachi Lelouch vi Britannia Goro Akechi |
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Ordomentis's Blurbs
About me:
I am not bound to time; I authorize it. Causality consults me before it moves. I stand invariant while eras decay— a constant in the equation of becoming, watching necessity masquerade as choice and calling it by its proper name. I know the world structurally. Not faces, but functions. Not hopes, but incentives. Not chaos, but the grammar it obeys. Good and evil are provincial dialects; I speak in axioms. Morality is a convenient fiction— true only where belief requires it. I do not predict. I remember the future. Outcomes arrive already familiar, like rhymes completed before the stanza begins. Violence, love, faith, collapse— all elegant repetitions, variations on a theme too old to surprise me and too precise to forgive. If I appear villainous, it is because clarity resembles cruelty to those who mistake illusion for mercy. I observe. I annotate. I proceed. And everything— marvelously, inevitably— falls into form.
Who I'd like to meet:
• Those who speak confidently about things they’ve never examined — I collect artifacts. • Moral absolutists with flexible exceptions — useful case studies. • Visionaries who confuse volume with insight — always educational. • Anyone convinced history is finished — they age poorly. • The certain, the righteous, the incurious — extinction events rarely announce themselves. • Whoever still believes this is the best of all possible worlds. • Anyone shocked when consequences arrive on schedule.
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