carsonsz

General

composing and playing music playing games

Music

weezer green day eyedress bruno mars radiohead pavement tv girl jazz classical gorillaz red hot chili peppers soundgarden pearl jam third eye blind muse foo fighters the smashing pumpkins laufey mac demarco tame impala duster the cranberries MF DOOM (caps when you spell the manz name) cortex lady gaga (lowkey fire aughh)

Movies

everything except drama i do not enjoy drama drama films have always been a point of contention for me. the reasons for my dislike are numerous and deeply rooted in personal experiences, cultural observations, and a growing disillusionment with the genre as a whole. to begin with, drama films often rely heavily on emotional manipulation. they present situations that are crafted to elicit a specific response from the audience, and this contrived emotionality feels disingenuous. the characters are frequently placed in over-the-top scenarios that are not only unrealistic but also designed to pull at the heartstrings in a way that feels forced. one of the most significant issues with drama films is the predictability of their narratives. it seems that many of these films follow a formulaic structure where the audience can anticipate the outcome long before the credits roll. this predictability detracts from the overall viewing experience, as the element of surprise is essential in storytelling. when a viewer can easily guess the ending or the twists, the impact of the story diminishes. it becomes less about the journey and more about simply waiting for the inevitable conclusion. furthermore, the characters in many drama films often lack depth and complexity. they tend to be archetypes rather than fully fleshed-out individuals. the “tragic hero,” the “innocent victim,” or the “tormented artist” are just a few examples of the one-dimensional characters that populate these films. rather than experiencing a realistic portrayal of human struggles, viewers are often presented with clichés that do not resonate on a deeper level. this lack of authenticity makes it difficult to connect with the characters or to care about their outcomes. in addition, the dialogue in drama films can be painfully contrived. characters often deliver monologues that feel less like natural conversations and more like speeches designed to convey a particular message. this tendency to prioritize message over realism can create a barrier between the viewer and the story. instead of feeling immersed in the film, one is often left feeling like an outsider, observing a play rather than experiencing a genuine narrative. this distancing effect is especially pronounced in films that aim to address serious social issues, where the message overshadows the storytelling. the pacing of many drama films is another point of frustration. they often dwell on moments that could have been conveyed more succinctly, stretching out emotional scenes to an extent that they become tedious. this slow pacing can cause viewers to lose interest, leading to a sense of boredom rather than engagement. a well-crafted film should maintain a rhythm that keeps the audience invested, but many dramas falter in this regard, leading to an experience that feels more like a chore than a pleasure. drama films also tend to overlook the importance of humor. while life is undoubtedly filled with serious moments, it is also peppered with humor and lightheartedness. the absence of this balance can create a bleak viewing experience that does not reflect the complexities of real life. laughter and joy are essential components of the human experience, and when a film neglects to include these elements, it risks alienating a portion of its audience. another aspect that contributes to my disdain for drama films is their tendency to glorify suffering. while it is important to address the struggles and challenges that individuals face, many drama films take this to an extreme. they often romanticize pain and suffering, suggesting that these experiences are noble or somehow inherently valuable. this portrayal can lead to a distorted understanding of mental health, relationships, and the human condition as a whole. rather than offering solutions or encouraging resilience, they can inadvertently perpetuate a cycle of despair. the marketing of drama films can also be off-putting. they are frequently packaged in a way that highlights their emotional weight, often promoting them as “must-see” experiences that will leave the audience in tears. this emphasis on emotional intensity can create unrealistic expectations, leading to disappointment when the film does not deliver on its promise. the pressure to feel deeply during a viewing can also detract from the enjoyment of the film, as viewers may feel compelled to respond emotionally in a way that does not come naturally. in conclusion, my aversion to drama films is multifaceted. from the predictability of their narratives to the lack of character depth and the contrived dialogue, there are numerous elements that contribute to my disdain for the genre. while there may be exceptions that manage to break the mold, the majority of drama films fail to resonate with me on any meaningful level. instead of offering an engaging and authentic portrayal of the human experience, they often resort to manipulation and clichés, resulting in an experience that feels more frustrating than fulfilling. as such, i find myself drawn to other genres that offer a more diverse and engaging storytelling experience, one that reflects the complexity of life without succumbing to the pitfalls of emotional exploitation.

Television

anime dont judge i dont watch "I Got Reincarnated as a Perpetually Confused, Cat-Eared, Time-Traveling, Dimensional Gatekeeper Who Must Host a Weekly Cooking Show in a Fantasy World Full of Sentient Vegetables While Solving Mysteries and Fighting Off a Villainous Cult of Ex-Child Actors Who Want to Steal My Recipes" or something like that

Books

good ones

Heroes

God